Film genres

There are only two genres of films: well done, not well done.
The well done, even when they seems to be talking of some other thing, actually they talk about us.

Of course the well done films are not those which merely respect the rules: on the contrary, this concept delves deep into the nature of storytelling, artistry, and human connection in film.

1. Universal vs. Specific Genres: When most people talk about film genres, they’re referring to categories like comedy, drama, horror, sci-fi, etc. These genres give a rough idea of the film’s thematic and stylistic choices. However, the division between “well made” and “not well made” films is a more fundamental and universal classification, focusing on the quality of storytelling and execution rather than thematic content.
2. Craftsmanship Matters: A well-made film, regardless of its specific genre, demonstrates a mastery of the medium’s various elements: direction, acting, cinematography, sound, editing, and so on. When all these elements harmonize, the film can resonate deeply with audiences, even transcending cultural or personal differences.
3. Relatability and Human Connection: The idea that well-made films “talk about us” means that these films, regardless of their explicit subject matter, tap into universal human emotions, experiences, or truths. For instance, a film set in a distant galaxy might explore themes of friendship, loyalty, and betrayal – feelings and situations familiar to almost any viewer on Earth.
4. Subtext and Layers: Often, the most impactful films have layers of meaning. On the surface, they might be telling one story, but underneath, there’s a subtext or broader commentary on the human condition, society, or existential concepts. These layers allow different viewers to connect to the film in unique ways, based on their own experiences and perspectives.
5. The Not Well Made: Films that aren’t well-crafted might fail to connect with audiences because they lack clarity, emotional depth, or technical competence. However, it’s important to note that “not well made” is a subjective judgment. Sometimes, what one person sees as a flawed film, another might perceive as groundbreaking or deeply personal.
6. Cultural Perspectives: Another layer to consider is the cultural lens through which we evaluate films. What might be seen as “well made” in one culture or era might not be seen the same way in another. Thus, while the dichotomy between well-made and not well-made films is an intriguing way to classify cinema, it’s essential to approach it with an understanding of subjectivity.

In essence, this concept suggests that, beyond the surface-level genres and themes, what truly distinguishes films is their ability (or inability) to resonate with the shared human experience. Well-made films can transcend their immediate context and speak to universal truths, emotions, and narratives that audience members from various backgrounds can relate to.